hannah remz curation

There are rules women are taught to follow. Be agreeable. Be liked. Be soft enough to hold, but not sharp enough to cut. And then there are rules women learn quietly, through experience. How to read a room before speaking. How to hold eye contact just long enough to shift the balance. How to leave before they are diminished. Power, for women, has never been about domination. It has always been about authorship. This is not a rejection of power. It is a reclamation of it. Not

I had the privilege of attending the opening ceremony of Nigerian Modernism at Tate—an exhibition of historic significance that centres...

Are African Artists diminishing themselves by painting Blackface paintings or are we simply seeing more African subjects in portraiture?...

The use of previously royal spaces for the self-worship and self-proclaiming predicate of self-made importance is both a show of power...

Yemisi Shyllon Museum of Art The Yemisi Shyllon Museum is a non-profit organisation set up by Yemisi Shyllon, the prince of Ake in...

A comparison between the lifestyle of the artist in Nigeria and the West In my meandering discovery of art that started as far back as...

A response to Chimamanda Ngozi Adichie’s book: Dear Ijeawele, A Feminist Manifesto in Fifteen Suggestions One thing modern Feminism seems...

I’d like to first of all say Happy New Year to you, it’s a new year and the perfect time for a refresh. I am putting some life back into...

Hannah Remz Curation hosted a private exhibition at the end of 2015. Here is your personal invite into what was a beautiful evening of...

Abstract The first chapter in Howard S. Becker’s book entitled Art Worlds (1982) covers conventions in an epistemological way. He then...